Subject Who? Photography: Barry Pearson. Engineering: Peter Hunt.
What?

Physiograms and Lissajous Figures. "Lissajous Lab".

The light was suspended from a compound pendulum. (A rigid body with distributed mass able to freely pivot about a horizontal axis which does not coincide with the centre of gravity. A long rigid pole pivoted near the middle, and with weights sliding along either section).

The camera was typically moving, either on its own suspended platform, or on a record turntable.

Where? Taken in Birmingham, England, at various times during 1963/64.
Original Material

About half used 35mm Plus-X black & white negative film.

The rest used a film with print-emulsion, so that it could be used in the camera in 2-inch strips under safe-light and developed in print-developer after each run. (This enabled the results of each run to be visible within about 3 minutes, 2 minutes for development and about 30 seconds for the stop-bath).

Pre-web Format

For black & white versions, Photoshop (PSD) file, Greyscale, Dot Grain 15%

For coloured/filtered versions, Photoshop (PSD) file, Adobe RGB (1998) 24 bit colour, or sRGB 24 bit colour.

Size Various, typically about 2100 by 1500 pixels, about 2 megabytes

Processing - original (black & white) versions

These were scanned from old (40 year old) negatives, then cropped and rotated if necessary.

Main Photoshop 6 and ImageReady 3 features used

Typical Photoshop 6 features not used


Processing - coloured/filtered versions

These started with the above scans, plus the use of lots of Photoshop filters from the Filter Gallery, and in a couple of cases, Liquify.

Main Photoshop 6 and ImageReady 3 features used

Typical Photoshop 6 features not used

Page last updated: 18 October, 2004